Otis Redding - These Arms Of Mine (Lyrics)

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"These Arms of Mine" is a song written by soul musician Otis Redding. Redding was at that time a member of Pat Teacake's Band, consisting of lead guitarist Johnny Jenkins, bassist Pat Teacake and vocalist/songwriter Redding, who also served as driver for Jenkins, who did not have a driver's license. Atlantic Records artist representative Joe Galkin showed interest in Jenkins and proposed to send him to a studio. On the way to a gig, Redding had the opportunity to perform the songs "Hey Hey Baby" and "These Arms of Mine" as Jenkins and house band Booker T. & the M.G.'s ended their sets earlier than scheduled.
The performance of the latter song was highly praised; Jim Stewart was so impressed that he offered Redding a contract to record for Stax Records of Memphis, Tennessee, which Redding signed soon afterward. "These Arms of Mine" became Redding's first-released Stax Records single, with "Hey Hey Baby" on its B-side. After a series of unnoticed numbers, the song "These Arms of Mine" became Redding's first successful single and sold around 800,000 copies. The song was also included in Redding's 1964 (Atlantic Records) Atco label debut album Pain in My Heart.
Redding is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts.